By The Scottish Crango Centre recently hosted a powerful and inclusive performance by multidisciplinary artist Debabrata Pal, who presented his signature Dance while Painting concept alongside a demonstration of his pioneering technique, Sensory Escapism.
The event explored how the deaf and blind community can engage with dance through sensory pathways beyond sight and sound. Using body vibrations, gestures, and subtle movement cues, Pal illustrated how art transcends conventional boundaries of perception. His technique, Sensory Escapism, invites participants to immerse themselves in rhythm, flow, and collective energy—proving that dance is not limited to hearing or vision, but is instead a universal language of the body.
Audiences witnessed an innovative dialogue between movement and painting, where brushstrokes followed the rhythm of dance, creating a canvas that captured not only colour but also emotion. The performance resonated deeply with the spirit of accessibility and inclusivity, inspiring conversations on how art can bridge diverse communities.
Speaking about the performance, Pal noted:
“Dance is not only entertainment or storytelling—it is a way of connecting every body, every ability, to expression. Through vibration, signs, and shared energy, the deaf and blind community can experience dance as profoundly as anyone else.”
The Scottish Crango Centre’s collaboration with Debabrata Pal highlights Scotland’s growing commitment to inclusive art practices, reinforcing that art belongs to everyone, without barriers or discrimination.
